In this, the first conversation in the Living Archives series, we sit down with Ingrid Pollard and Rudy Loewe to discuss the links between their practices, the relationship between activism and art-making and playful storytelling.

Conversation transcript available here. Listen to more episodes here.

Living Archives is an oral histories project co-produced by the Stuart Hall Foundation and the International Curators Forum. The project is made up of six intergenerational conversations. Each conversation considers an alternative history of contemporary Britain through the testimony of UK-based diasporic artists working between the 1980s and the present-day. The project will form, what Stuart Hall calls, a “living archive of the diaspora” which maps the development, endurance, and centrality of diasporic artistic production in Britain.

Hosted by ICF’s Deputy Artistic Director, Jessica Taylor, practitioners reflected on the reasons they became artists, the development of their practices, the different moments and movements they bore witness to, and the beautiful reasons they chose to be in conversation with each other.

Hosted by Jessica Taylor

Edited by Chris Browne

Designs by Yolande Mutale

Music by LOX

Bios

Ingrid Pollard is a photographer, media artist and researcher. She is a graduate of the London College of Printing, Derby University,  with a Doctorate from University of Westminster  Ingrid has developed a social practice concerned with representation, history and landscape with reference to race, difference and the materiality of lens based media. Her work is included in numerous collections including the UK Arts Council, Tate Britain and the Victoria & Albert Museum. She lives and works in Northumbria, UK.

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Rudy Loewe (b. 1987) is an artist visualising black histories and social politics through painting, drawing and text. They began a Techne funded practice-based PhD at the University of the Arts London in 2021. This research critiques Britain’s role in suppressing Black Power in the English-speaking Caribbean, during the 60s and 70s. Loewe is creating paintings and drawings that unravel this history included in recently declassified Foreign & Commonwealth Office records. Their approach to painting speaks to their background in comics and illustration — combining  text, image and sequential narrative.

Recent exhibitions include A Significant Threat, VITRINE Fitzrovia, London (2023); uMoya: the sacred return of lost things, Liverpool Biennial (2023); Unattributable Briefs: Act Two, Orleans House Gallery, London (2023); Unattributable Briefs: Act One, Staffordshire St., London (2022); New Contemporaries, Humber Street Gallery and South London Gallery (2022); Back to Earth, Serpentine Gallery, London (2022); and NAE Open 22, New Art Exchange, Nottingham (2022).

Produced with funding from the Centre on the Dynamics of Ethnicity (CoDE) and Arts Council England.

In episode 2 of Living Archives Beverley Bennett and Marlene Smith discuss their practices in relation to family, collectivity and memory.

Conversation transcript available here. Listen to more episodes here.

Living Archives is an oral histories project co-produced by the Stuart Hall Foundation and the International Curators Forum. The project is made up of six intergenerational conversations. Each conversation considers an alternative history of contemporary Britain through the testimony of UK-based diasporic artists working between the 1980s and the present-day. The project will form, what Stuart Hall calls, a “living archive of the diaspora” which maps the development, endurance, and centrality of diasporic artistic production in Britain.

Hosted by ICF’s Deputy Artistic Director, Jessica Taylor, practitioners reflected on the reasons they became artists, the development of their practices, the different moments and movements they bore witness to, and the beautiful reasons they chose to be in conversation with each other.

Hosted by Jessica Taylor

Edited by Chris Browne

Designs by Yolande Mutale

Music by LOX

Bios

Beverley Bennett is an artist-filmmaker whose work revolves around the possibilities of drawing, performance and collaboration. Her practice is connected multiple ways of making. The first of these is a concern with the importance of ‘gatherings’ to denote a methodology that differs from the more hierarchical model of the workshop; one person leading and sharing information with participants taking part in the activities. Instead ‘gatherings’ are cyclical, whereby everyone learns from each other and often formulate in myriad ways, from reading together to gathering at a party. This has created a ‘tapestry of voices’, an interweaving of communalities and differences that provide a broader view, an important part of amplifying intergenerational relationships. The second is an investigation of the idea of The Archive (often beginning projects by creating / adding to her own extensive personal archives of interviews, using them for preliminary research and experimentation) and the third is collaboration. This is frequently through socially political work with other creatives, fine artists, community members, young children and their families. Her practice provides spaces for participants to become collaborators and provides a point of focus from where to unpick ideas around what constitutes an art practice and for whom art is generated.

Marlene Smith is a British artist and curator. She was a member of the Blk Art Group in the 1980s and is one of the founding members of the BLK Art Group Research Project. She was director of The Public in West Bromwich and UK Research Manager for Black Artists and Modernism, a collaborative research project run by the University of the Arts London and Middlesex University. She is Director of The Room Next to Mine, and was an Associate of Lubaina Himid’s Making Histories Visible Project and Associate Artist at Modern Art Oxford.

Selected exhibitions include: The More Things Change, Wolverhampton Art Gallery (2023); Cut & Mix, New Art Exchange, Nottingham (2022); Portals, East Side Projects, Birmingham (2021); Get Up, Stand Up, Now!Generations of Black Creative Pioneers, Somerset House, London (2019); The Place is Here,Nottingham Contemporary and South London Gallery (2017); Thinking Back: a montage of black art in Britain, Van Abbe Museu, Eindhoven, Netherlands (2016); Her work is in the Government Art collection and the collections of Sheffield museums and Wolverhampton art gallery.

Produced with funding from the Centre on the Dynamics of Ethnicity (CoDE) and Arts Council England.

In the third episode of Living Archives, Roshini Kempadoo and Jacob V Joyce exchange ideas around Stuart Hall’s work and legacy, the relationship between the archive and artistic practice and finding allies in history.

Conversation transcript available here. Listen to more episodes here.

Living Archives is an oral histories project co-produced by the Stuart Hall Foundation and the International Curators Forum. The project is made up of six intergenerational conversations. Each conversation considers an alternative history of contemporary Britain through the testimony of UK-based diasporic artists working between the 1980s and the present-day. The project will form, what Stuart Hall calls, a “living archive of the diaspora” which maps the development, endurance, and centrality of diasporic artistic production in Britain.

Hosted by ICF’s Deputy Artistic Director, Jessica Taylor, practitioners reflected on the reasons they became artists, the development of their practices, the different moments and movements they bore witness to, and the beautiful reasons they chose to be in conversation with each other.

Hosted by Jessica Taylor

Edited by Chris Browne

Designs by Yolande Mutale

Music by LOX

Bios

Roshini Kempadoo is an international photographer, media artist and scholar with the School of Arts, University of Westminster. She has worked for over 30 years as a cultural activist and advocate, having been instrumental to the development of Autograph (ABP) and Ten.8 Photographic Magazine. As an artist she re-imagines everyday experiences and womens’ perspectives relating to Caribbean legacies and memories. Central to this is her book Creole in the Archive: Imagery, Presence and Location of the Caribbean Figure (2016). Her ongoing research develops creative methodologies on issues of race and extraction in relation to ecological futures.

Jacob V Joyce is an artist, researcher and educator from South London. Their work is community focussed ranging from mural painting, illustration, workshops, poetry and punk music with their band Screaming Toenail. Joyce has illustrated international human rights campaigns for Amnesty International and Global justice Now, had their comics published in national newspapers and self published a number of DIY zines. Their work with OPAL (Out Proud African LGBTI) has gone viral across the African Continent and increased the visibility of activists fighting the legacies of colonially instated homophobic legislation.

Joyce was recently awarded a Support Structures Fellowship from the Serpentine Gallery and a Westminster PhD research scholarship at C.R.E.A.M, (Centre for Research and Education in Art Media.) Previous recognitions include a collaborative residency at Serpentine Galleries Education Department with Rudy Loewe 2020, TFL (Transport For London) Public Arts Grant 2019, Artist Participation Residency at Gasworks London/East Yard Trinidad Tobago 2019, Tate Galleries Education Department Residency 2019, Nottingham Contemporary Community Artist Residency 2017.

Joyce is a non-binary artist amplifying historical and nourishing new queer and anti-colonial narratives.

Produced with funding from the Centre on the Dynamics of Ethnicity (CoDE) and Arts Council England.

The ‘Stuart Hall in Translation’ series observes Stuart Hall’s ideas in motion. by tracing their resonances and transformations as they oscillate between languages, historical moments, and varying socio-political contexts.  The series, produced in partnership with Cultural Studies journal, invites translators of Stuart Hall’s work from across the world to reflect on the following questions:

• What can be lost and gained when texts are translated into different languages?
• Can ideas form linkages across difference?
• How can ideas transcend spatial and temporal boundaries?
• What are the political implications associated with ideas moving across and between boundaries?

To initiate the project, we invited Bill Schwarz, co-author of Stuart Hall’s memoir ‘Familiar Stranger’, and Liv Sovik, professor of Communication at Universidade Federal do Rio de Janeiro, to discuss the nuances of translating ‘Familiar Stranger’ and Hall’s ideas into Portuguese for a Brazilian audience.

You can listen here to the conversation with Bill Schwarz and Liv Sovik, which was recorded in August 2022, and is introduced and hosted by SHF Director Orsod Malik.

In 2024, we extended the invitation to other translators of Hall’s work, asking them to write about their own experiences, and addressing the disparities, challenges, and synergies of translating Hall’s ideas into a different language and national context. These new texts will be published in Cultural Studies Journal and on the Stuart Hall Foundation website in Autumn 2024.

A transcript of the conversation recording is available to view and download here: (read transcript)

Supported by Taylor & Francis, Esmée Fairbairn Foundation and the Barry Amiel and Norman Melburn Trust.

The speakers

Bill Schwarz is Professor of English at Queen Mary University of London. Bill’s many publications include his Memories of Empire trilogy and his contribution to Stuart Hall’s memoir Familiar Stranger. A Life between Two Islands (2017). With Catherine Hall, Bill is also General Editor of the Duke University Press series, The Writings of Stuart Hall.

Liv Sovik is a full professor at the School of Communication of UFRJ. She is a collaborating professor of the Ethnic and Racial Relations Masters, CEFET-Rio de Janeiro, and researcher of the PACC Advanced Program in Contemporary Culture, UFRJ. She edited a major collection of Stuart Hall’s works into Portuguese, Da Diáspora: identidades e mediações culturais (Editora UFMG, 2003), and is the author of Tropicália Rex (Mauad, 2018) andAqui ninguém é branco [Here No One is White] (Aeroploano, 2009).