Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Donate

What is the word ‘Black’ in ‘Black Cultural Institutions’? Why does it seem like there are so few black-led arts organisations in the UK that are outside of London? What does it mean to operate within or without the mainstream? We invite an intergenerational panel to come together and reflect on the challenges of building and sustaining Black arts and culture institutions in Britain.

The conversation, hosted by Stuart Hall Foundation on 19th July 2022 was chaired by art curator Ian Sergeant, and featured Gilane Tawadros, Chair of the Stuart Hall Foundation, Lisa Anderson, Director of the Black Cultural Archive, Marlene Smith, former member of the BLK Art Group and current Director of The Room Next to Mine, and MAIA Group’s Creative Director, Amahra Spence.

Find out more about our #ReconstructionWork Series here.

#ReconstructionWork: Building Black Cultural Institutions’ was supported by Arts Council England.